Performances in N.Y.C. Advertisement Supported by Alice Sara Ott’s account of John Field Nocturnes, a tribute to Glenn Gould and a program of songs by Schubert and Kurtag are among the highlights.
There is a music-tech controversy that rivals Bob Dylan's choice to plug in his guitar at the Newport Folk Festival in 1965. A year earlier, on April 10, 1964, the pianist Glenn Gould made a radical ...
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