Performances in N.Y.C. Advertisement Supported by During a break at the Royal Opera House, Aigul Akhmetshina discussed her action-packed career, “Carmen” and her mission to spread her love of opera.

In the ever-evolving world of Afrobeats, Adelowotan Babatunde, better known in the industry as Opera is one name that is steadily rising as a force behind the scenes. As the mastermind behind Opera ...

Music can be many things, including a weapon. Among the songs that law enforcement and militaries have played, at deafening volume, to break the spirits of adversaries over the years are “Paranoid,” ...

An American soprano who sang when the United States rejoined UNESCO weighed in on the agency’s addition of Italian opera singing to a heritage list. By Farah Nayeri Is opera an endangered art form ...

Remembering Speight Jenkins, former Seattle Opera General Director, whose legacy transformed the opera community.

NPR's Scott Simon speaks with Givonna Joseph of Loyola University New Orleans and Gwen Thompkins of WWNO radio about the influence of opera on jazz music. And that is Jelly Roll Morton, the jazz ...

It has been 20 years since Sarasota Opera last presented Giuseppe Verdi’s “Stiffelio” as part of its 28-year Verdi Cycle of performing just about every note written by the composer. The opera about a ...

Vocal performance majors and professors at Northwestern share details about their daily routine in the Bienen School of Music, as well as the evolving culture surrounding opera music. While this ...

The second annual festival brought opera and classical music to public spaces across Tashkent and attracted more than ...