Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be ...
NASA’s photographic documentation of their 20th century race to the Moon forms part of one of the most significant historical records of our time. The photographic films and cameras used were arguably ...
Some people don’t print their colour films in the darkroom because they’re scared about the complexity, but it’s not as horrible as you might think. Aside from the need for a dedicated colour ...
Over the past few years, more people than I can count have asked me what “the best” film, film cameras, lenses, accessories and all manner of other weird and wonderful things to do with film ...
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan). It doesn’t matter if you have the very ...
The Hasselblad V-System Master Guide is a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this classic film camera system. To the uninitiated ...
Several years ago, a coworker friend of mine bought an original Mamiya Press camera and brought it in to work so others and myself could take a look at it. I’d never seen a camera like it before, only ...
The title pretty much says everything you need to know but as ever, the devil is in the detail! Let’s start with what HARMAN Phoenix is. Before I get to what HARMAN Phoenix is not, here are a few ...
Following my CONTAX S2 review last year, I got thinking why I liked using my S2 so much more than my RTS II. After all, the RTS II had some great features with its centre weighted meter and aperture ...
The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it that I don’t like. Well, not much – they knew how to make cameras in the 1970’s. Unlike its mightier ...
In 2013 I got my first Polaroid camera, and since then I have been journeying into the world of instant film. From the inception of the Impossible Project to its recent merger, I eagerly followed the ...
There is a “rule” for shooting expired film. This “rule” states that when shooting expired film, one should add one stop of exposure per decade it has been expired. The rule is wrong and by blindly ...
Results that may be inaccessible to you are currently showing.
Hide inaccessible results
Feedback