One of these movies is what you should watch tonight. This weekend's choices include theatrical releases arriving on streaming like "The Running Man" and "Black Phone 2." There are original streaming ...

From new Christopher Nolan and Greta Gerwig films to more "Dune" and "The Social Network," the movies we're most looking forward to in the new year. The year 2025 is hardly in the rearview, as the ...

2026 is here, so let's look at what Hollywood's got in store for us over the next 12 months, ranging from horror and sci-fi to superheroes and fantasy to whatever Disney and Pixar have planned. The ...

Spielberg! Nolan! And even more Marvel madness! Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment ...

148 critics from six different continents voted on the best films of the year. These films were their 50 favorites. As the credits roll on 2025, we’re left with a slate of movies that will almost ...

I'm going to say something: 2026 is already looking to be a major year for major motion pictures. From big superheroes, of course, to some long-anticipated sequels and interesting new takes from old ...

Every year is a great year for movies if you’re willing to look for them. Sure, some of the biggest and most celebrated films deserve their acclaim, while many films with microscopic releases, or from ...

Movies are the great escape. “Optimistic endings, passionate romances,” sings the incarcerated dreamer of “Kiss of the Spider Woman,” who looks to old Hollywood movies as an oasis of beauty and faith.

I’m not going to lie: 2025 was not a year that’s easy to put a rosy spin on, even in the introductory blurb to a list of the year’s best movies. This has been a 12-month period of daily pummeling by ...

Our film critics watch a lot of movies in a year. By December, their viewing slates span international standouts, festival favorites, studio blockbusters, and plenty more in between. Below, Justin ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?